What we like
Osmanthus does not categorize by genre. Our work investigates the zones beyond the text that creep and bleed to evoke an eerie recognition of something that came before. We are interested in work that is ambiguous: writing that employs form and artifice, but at the same time recognizes its artifice.
Currently, the writing we are interested in engages with shopping malls and abandoned shopping malls, floating ghost fleets of shipping containers in the Pacific Ocean, and corporations mining the earth for precious elements. Towards the environmental impact of placing servers beneath the ocean’s surface as a means to cool the server. Disembodiedness. We’re interested in empathy and nature documentaries.
We love writing that considers the natural environment and how the natural environment seeks to reimagine and retell its story. We love writing that uses the natural environment to try (and fail) to embody some element of the human experience. Consider trees and deep-time, memory and the act of trudging forward through forgetfulness and unlearning. The writing can be fragmentary, nonsequential, absent-minded, and full of holes. Writing about nature and the environment is an act of commemoration, yet a way to forget about nature.
We seek to publish chapbooks. Non-chapbook submissions will be considered for the weekly online feature called Clippings from Toad Palace. Submissions with an audio-visual element are encouraged for the online edition.
To be considered, send us an email — with “SUBMISSION – Title of Your Submission” in the email subject line.
Chapbooks specifications: prose work (between 3,500–10,000 words), or up to 48 pages of poetry. Osmanthus chapbooks usually run from 24-48 pages. For a more hybrid form, submit under the assumption that the book’s maximum page count will be ~48 pages. Submit in one .docx / PDF, clearly indicating the start of each piece.
Simultaneous submissions are encouraged but please let us know immediately if the work is accepted elsewhere.
Thank you for trusting us with your writing.
We’re good about reading work quickly and getting back to the writer. If the writer feels that the editors are taking exceptionally long, please reach out and query the editors. When querying or withdrawing a piece, please include your name and submission’s title
For submissions, submit all work to firstname.lastname@example.org